Showing posts with label beautiful illustration. Show all posts
Showing posts with label beautiful illustration. Show all posts

5/02/2012

Modelling and Sculpting the Human Figure Review

Modelling and Sculpting the Human Figure
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This seminal work on figure sculpting has been a standard reference for both students and teachers of fine sculpture for almost two generations. Lanteri goes beyond typical systematic instruction for recreating anatomical form and demistifies techniques for infusing one's work with the humanity that will elevate it to the level of true sculpture. It is a text that is worth reading from cover to cover as it essentially encompasses a four year course in fine sculpture. It is also valuable as a reference for materials, anatomy and basic technique.

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Covers modelling from casts, live models; measurements; frameworks; scale of proportions; compositions; reliefs, drapery, medals, etc. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams.

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10/24/2011

Modeling the Figure in Clay, 30th Anniversary Edition: A Sculptor's Guide to Anatomy (Practical Craft Books) Review

Modeling the Figure in Clay, 30th Anniversary Edition: A Sculptor's Guide to Anatomy (Practical Craft Books)
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Wow, what a book. I have been searching for the right book to help me build a human body that looked believable in sculpture and this is the one. Lucchesi creates the form by first creating an armature, then building a skeleton onto it (ribcage, pelvic girdle, etc.), then adding the muscles, then adding the skin. A must for anyone who would love to sculpt anatomy like Rodin and Michelangelo. Lucchesi's head book is just as good.

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For thirty years, Modeling the Figure in Clay has been an indispensable anatomical resource for people who think, see, and understand form best in the round: sculptors. In the thirtieth anniversary edition of this classic work, master sculptor Bruno Lucchesi invites you on a guided tour of the human form. Follow him as he creates a figure in clay—literally from the inside out—starting with the skeleton, laying on the muscles to show male and female anatomy, and finishing with a complete figure sculpture with every detail of face and hair carefully modeled. BRUNO LUCCHESI's work has been added to the collections of the Whitney Museum of American Art, the Brooklyn Museum, and the Dallas Museum, among many others. Lucchesi has received awards from the National Academy, the National Arts Club, and the Architectural League. He was a Guggenheim Fellow in 1962-1963, he won a Gold Medal award from the National Academy of Design in 1990, and was awarded the Polich Tallix Foundry Prize from the National Sculpture Society in 2009.

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10/23/2011

Modeling the Head in Clay (Practical Craft Books) Review

Modeling the Head in Clay (Practical Craft Books)
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I bought this book (along with several others) while taking a class in sculpture. I found it to be the most informative and inspiring of any source, including my sculpture teacher. Using a series of close-up, detailed photographs, the book walks the student through the steps of creating a clay head. I followed them and made a good (for me) sculpture of a man's head and later a bust of a woman. I went on to make other clay faces, incorporated into mugs and pots. I don't pretend to be a great sculptor but, thanks to this book, I am able to make recognizable sculptures. The excellent directions include how to control surface texture using water and a brush; it is possible to make clay look like skin. If you are struggling to bring clay to life, this book doesn't just tell you how, it shows you how.
Randall Black

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Creative techniques step-by-step. This book offers the reader an opportunity to watch one of our foremost contemporary sculptors at work, to see not just highlights of the creative process, but every step from beginning to end.In order to recreate the immediacy of an actual workshop situation, Bruno Lucchesi takes a single life-size head through all the stages of roughing in, modeling, refining the surface, and finishing and texturing, so that the reader can see exactly how he positions and models every detail.

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